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A few months back, a story was put on the Yahoo Hang group about a Hang that had been missing for a couple years, but was found and was making it's way back to it's original owner. This is the story of Per Hultquist's Pentatonic E First Gen Hang as told through a series of emails of those involved. This story and emails are being posted here by me with permission of Per. This is a great story that I felt had to be shared.
The series of emails begins with Ron Kravitz' despcription of the events of Per's Hang and is followed by others that were involved with the story as well.
Enjoy! ![]()
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Dear Per,
This is my version of the story to the best of my knowledge, recollection. Feel free to edit, embellish, add or delete, etc. and to post it on whatever Hang blog/websites you desire. Sherry, I did not recall your son's name. Lets add that. I haven't stopped reciting this miraculous story. I continue to share it with others, regardless if they know what a Hang is or not. It is truly astounding! Thanks and regards to all.
Ron
The Odyssey of Per Hultquist's Lost and To Be Found Pentatonic E, PANArt Hang
On Dec. 22, 2003, I shipped to Per Hultquist of Bolder CO. a specially requested Pentatonic E Hang. To my knowledge, that particular scale, to this day, is only 1 of 10 of the 5500+ Hanghang, that have ever been made. Sometime in the future (Per do you recall the date?) I was notified by a distraught Per that The Pent E was missing and that he had an all points bulletin out to find it.
After a few months of searching, he gave up. It was never found. Per, at this point, you can tell your side of the story from here better than me.
We are now back in the present...Glenside, Pennsylvania, The Keswick Theater ... Monday evening Oct. 22, 2007. The Global Drum Project is performing. (Mickey Hart, Zakir Hussain, Giovanni Hildalgo and Sikiru Adepoju. They have just released a new album are touring to promote it and to celebrate the 15 year anniversary of Planet Drum. Babatunde O'latunji was an member of the original ensemble. Glenside is a suburb, 30 minutes north of center city Philadelphia. In the audience, attending this concert is a who's who of the Philadelphia and surrounding area drumming community. The concert is now over, we (me and 4 left out of my party of 12) are outside the theater and we have just made it through the last throng of people and it appears that I've finally finished saying all of my hello's and goodbye's to everyone, when all of a sudden, I hear "Hey Ron". I turn around and it's my friend Sherry Downie Kurtz whom I probably haven't seen in 2 years. Sherry and her family had moved outside of Reading, Pa. about 1 /12 hrs outside of Phila. We used to drum together in my colleague Pete Barnhart's, African Drumming class. In fact, back in 04, when Pete B and I had our CD release party for the Hang Meditations at my home, Sherry took care of reservations at the door.) Sherry is standing with two younger fellows, I'd say in their early 20's. She introduces me. One is her son and the other is her son's best friend Adam.
This is my recollection of what next occurred.
We then began to catch up and as we are all conversing, because this is a percussion community, the conversation somehow naturally got around to the Hang and Adam says to me, "You know, the guy that distributes Hangs in the US lives 10 minutes away in the next town over, in Wyndmoor". I begin to smile and proceed to tell him " I'm that guy." Sherry, then exclaims that Adam has a Hang. When hearing that, I was immediately surprised because I knew I didn't sell him one. I then asked how he had acquired one. (Sherry answers and says her nephew Cameron, found one in a dumpster and gave it to him) That alone is incredulous sounding enough as it is, period. In the next moment, a little bell rings inside my head and it occurs to me to ask him if Cameron had found it in a dumpster, by some remote chance in the state of Colorado. Yes!... is the answer. Could it have been in Boulder CO. Yes!..is again the answer. I then say something like, " You won't believe this but, I know who's Hang that is."
Of course it's Per's missing Hang in it's black PANArt bag. Penta E Hang is written inside. At some point we say our goodbyes. On the way back to our car with my head still swirling, my buddy Quentin says to me "Ron, you've gotta connect those folks together". Of course he was right. I emailed Sherry as soon as I got in to ask for Adams phone #.
Sherry is replying to the email I sent to her later that night after the concert, where ours paths crossed again after two years. I was requesting Adam's contact info. The next day she replied..............
HI Ron.........too funny............well, we meet again ..........so the story is that my nephew, Cameron, was in Colorado for a time and I don't know the particulars......but he found the Hang in a dumpster, large dumpster, on a work site (he was a roofer)......he returned for a time, back to Pennsylvania and to pay off a debt.....he gave it to Adam .........to my dismay....because I wanted it......but that is beside the point.........
We were talking about you after the concert because I mentioned how I knew the way to the Keswick Theater because it was the same way I took to your house .......then the story got to some guy who sold Hangs in Wyndmoor and then we realized we were talking about the same person (you) when I saw you outside.....weird.........
I called Adam on the phone first thing, the next morning. (approx. 8:45am) Adam is really a nice guy. I asked him if he'd be willing to give the Penta E Hang back to Per. He replied yes. He told me he was not the type of person that would keep something that did not belong to him. We ended our conversation by agreeing that I would now connect the two of them together. I proceeded to call Per.
Per's wife Eileen answers the phone. I say something like "Ron Kravitz here" she exclaims " Ron Kravitz! It's been ages. I ask her if Per is in. Yes. Would you please put him on the phone, and if you have an additional line, I know you'll want to hear this conversation.
Per gets on...I say 'How's your day? He answers "How my day, It's 8:00am in the morning I haven't had one yet, I just woke up. Regardless I say to him, "Your day is about to become better". When I get to the part of the story that begins to imply that his Penta E Hang has been found, there is a huge gasp of silence over the other end of the phone. Per then contacted Adam. That was my part of this incredible story.
(From Per to me the other day)
Ron, Still can\'t believe the hang journey story......truly amazing and I asked Adam to write it in detail so we can share it with others. I am going to give Adam a didjeridoo in exchange as he agreed to, but I may wait until he comes out here in January so he can pick one. Either way, he\'ll get a VERY GOOD instrument.
And thanks Ron for enabling this miraculous event.
And this from Adam:
It was the summer of 2005 when my friend Cameron came home to Pennsylvania from Boulder, Colorado. He stayed a short while before heading to the west coast. Before he left, he told me he had a present for me. He said I would appreciate this present more than himself. He told me he found it while roofing down there in a dumpster. It was a PanArt Pentatonic E Hang. I had never seen one before and was excited to learn more about it. I found them online and realized the only person in the country to sell them was Ron Kravitz in Wyndmoor, Pa. I wanted to buy another one but it was out of my price range.
The years went by and I played the Hang at special events and recorded with it a couple times. I always retained the knowledge that a man in Wyndmoor was the only distributor in the United States. In late 2007 I went to see Mickey Hart at the Keswick Theater in Glenside, Pa. I went with my best friend Steve(Cameron's cousin) and his mother, Sherri. We were outside after the show talking about the area; when Sherri mentioned she used to come down that way to go to Ron Kravitz house for drum gatherings. I said, "Where at?" She said, "Wyndmoor." I then related to her that the guy who sold the Hangs lived in Wyndmoor. She said, "That would be weird if it was him." Next thing I know, Sherri sees Ron and introduces Steve and I. I ask him if he was the guy with the Hangs and he said yes. He went on to tell me how difficult they are to get now. I told him I was fortunate to have one for free. He looked puzzled and asked how. When I told him he immediately said, "It's a Penta E isn't it?"
I didn't know off hand but he knew without seeing it. I gave him the contact information for myself and told him to let me know. The next morning he called and I gave him the okay to call Per Hultquist. Per called me shortly after that and we arranged a plan to get his Hang back in his possession. As a reward Per sent me an awesome didj. Thanks so much for your patience Per. Take care and contact me with any news.
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At this point Per sent his Penta E to Kyle at Pantheon Steel to get a tune up. Kyle has worked on Per's Hang and has brought it back to specs.
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Hello Per,
Amazing story, truly amazing. I am honored that you have asked me to tune it. I would like to donate this tuning. I wouldn’t feel right profiting from this given its miraculous history. I have done some work to it and every note sounds fine now except the high B. It could be because of the damage (possibly from the dumpster) or from something else from the original tuning. It has a bit of interference that is proving impossible to clear up without detaching the hemispheres and neither of us wants that. I would be surprised if even Felix or Sabina could fix this. Until I make a Halo with the same scale I won’t know what could be going on here, but I speculate this is why they only made 10 of these. It could be some acoustical anomaly with the given shape and air space combined with the particular tuning.
The pitches have fluctuated a bit over the past few days and I would like to keep it until it holds (stays in tune) after working on it. This is achieved by tuning a little bit everyday until it no longer fluctuates.
Also, my friend Danny Sorensen has asked if it would be ok to post your Hang’s history on hang-music.com Would that be ok?
Sincerely,
Kyle
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Hi Kyle,
Wow.....that's so generous of you...and we are in no hurry because we are about to leave for the JT didjfest and we won't be back until after the 20th....and when we get back we'll have lots of catching up to do.....so please keep it as long as you feel necessary. Yes, it's fine to post this story anywhere actually....I know I posted the first half somewhere some time ago, but I can't remember where;-(
Please take all the time you need.....afterall....what's another week or 5 in it's slow & patient journey;-)??
And thank you so much again for being an important part in the "magical journey." Please be sure that your friend mentions you in the story:-)
Per
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Now that is miraculous... thank you so much for sharing that, its amazing to see such kindness, patience, and cooperation among my fellow man, and makes my two year wait for a Hang just a little bit easier to bear!
-David G-
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It's an amazing story! I can't believe it was found in a dumpster... what are the chances!!!
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Just had a thought... this Hang should be nick named the littlest hobo.... Oh come on... I know it's an old TV show but it had a great theme tune and the dog had lost it's owner, just happened to fight crime along the way ![]()
http://www.youtube.com/watch?v=PINxfouNQFw
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incredible story how on earth did it get into the dumpster?
F & S need to hear this one should make them happy
lovely to hear also something directly of Kylie's care and expertise it reassures my hopes
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I don't know how PANArt will fell about Kyle tuning a Hang... I think I read somewhere that they don't tune Hanghang that were tuned by others..!
But in any case this is an amazing story that is for sure... and I am glad to know that there are still good and fair persons out there ![]()
Its great to be a part of this community! It has helped me a lot when it comes to believing or trusting others..! I now have more hope ![]()
greetings
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diamondlight wrote:
incredible story how on earth did it get into the dumpster?
F & S need to hear this one should make them happy
lovely to hear also something directly of Kylie's care and expertise it reassures my hopes
And as further testament to his abilities.... Kyle recently re-tuned my Hang as well. For me the decision was a combination of financial (it would cost a boatload of $$ that I don't have right now to send to Bern), and faith in his abilities. Hopefully this won't put me in a bad light in the community.... or with PANArt. Now my magic trick has been revealed!
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hehe
I don't have anything against that but I'm just not sure (not trying to criticise anyone) if Kyle does such a good job has PANArt would have done..! But probably yes... It probaly isn't very different from tuning a steel pan...!
were you happy with his work on your Hang?
greets
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I was incredibly pleased with his work. All my notes were out just a bit, and one (which my dog helped to "change") was completely bummed.
As far as tuning a Hang as opposed to a Steel Pan..... VAST differences. With each fundamental note, you also have to tune in the 5th and 12th harmonics. This is hard enough on a new pan that hasn't been put together yet. But for a re-tune, you must be able to reach inside and work both the top surface, and the bottom surface of each note. VERY hard to do. This is why a traditional pan tuner won't touch a Hang usually.
But myself, I am happy with the results of his work.
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humm ok... and don't understand what you mean with tuning the 5th and 12th harmonics... how many harmonics does a Hang have..?!?
lool I don't know anything about music... just what I can hear and play... lool I even have trouble sometimes trying to understand if the rhythm is binary or ternary..! lolol
But I can play, wich is good enough for me, the rest comes in time ![]()
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Sorry.... it's a bit confusing, and I'm not the best to describe it. Best way is this.... Say you have an "A". You hear the "A", but ringing in with the "A" is it's 5th -which would be 5 notes above the A, which I believe to be an "F". With those is also ringing the 12th.... which I've been told is an octave above the fundamental, or A in this case. So you would have the initial A, but with two other notes harmonizing with it as you played the initial note. Again in this case, I believe those to be F and a high A. It's this combination of harmonizing notes (harmonics) that help give the Hang it's rich, full sound. I think the same process is applied to steel pan as well, but perhaps not to the same degree as a Hang.
This is just my best understanding, so if there is some correction to be made, please clarify. ![]()
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That does it! I'm gonna take up dumpster diving today!!
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i believe the meaning of 5th, 12th etc is semitones, not notes however i didnt really study theory so i'm not sure how it is defined (is a 5th above A five semitones above (D), or is the A included? (in which case the fifth would be C#?) surely its D) anyway shruti box or tampura would usually be tuned Pa Sa Sa ...if Sa (dominant, root, shruti note) is A (as per Dannys example), tampura would be low E, mid A, high A - and E is five semitones below A... (or 7 above...) I often use the mirror image of this to drone also - eg F# and B (5 semitones above) which could also be called a seventh if we include the B 7 semitones below
so maybe a fifth IS a seventh, depending on wether you're standing on your head or not ![]()
yes there are twelve semitones in an octave Danny, do you let your dog play your hang??!? talking of dogs, thats about as far as I got in music lessons in school - the-dog-goes-in-the-kennel which means D (the dog) is in between the two black notes... piano keyboard is white-black-white(D the dog)-black-white-white-black-white-black-white-black-white and there you have your twelve semitones, so you can work out any interval, from any note, just by remembering that the-dog-goes-in-the-kennel... easy, no..?? isnt it?? ![]()
Last edited by diamondlight (2008-08-14 21:48:52)
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diamondlight wrote:
incredible story how on earth did it get into the dumpster?
F & S need to hear this one should make them happy
lovely to hear also something directly of Kylie's care and expertise it reassures my hopes
f and s will be well aware of this.... they know ron and per very well.
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@ diamondlight - Yes, the semi-tones makes sense. That way the 12th harmonic IS the octave of the fundamental. And that would indeed make the 5th a D. I should've remembered this from piano and clarinet lessons.
Thanks for the clarification. ![]()
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lost wrote:
humm ok... and don't understand what you mean with tuning the 5th and 12th harmonics... how many harmonics does a Hang have..?!?
5th and 12th isn't correct. In the tonefields of a hang the octave (8ve) and the compound fifth (12th) are tuned in additional to the fundamental.
Let me explain this with the picture of a piano keyboard.
I have listed the intervals of the C major scale. The C major scale consists of all the white keys on the piano keyboard.
If we have a tone field on a Hang in C the following notes are tuned in this tonfield:
1) C - the fundamental.
2) C - an octave above of the fundamental
3) G - the 12th (compound fifth) above the fundamental
The 12th is 8ve + 5th (octave + fifth).
The octave and the compound fifth (12th) are the first two harmonic overtones of the fundamental.
I published an article about the overtones of the Hang in the Hangblog:
Discover the Hang's Overtones. There are several sound examples so you can hear how it sounds.
And if you want to know more about intervals, here is a wikipedia article:
http://en.wikipedia.org/wiki/Interval_(music)
Für deutsche Leser:
Im deutschen heißt der englische Ton "B" "H" (mit "B" wird im deutschen der Halbton unter dem H (englisch "Bb" oder "B flat") bezeichnet.
Übersetzung der Intervalle:
2nd = Sekunde
3rd = Terz
4th = Quarte
5th = Quinte
6th = Sexte
7th = Septime
8ve = Oktave
12th = Duodezime
fundamental = Grundfrequenz oder Grundton
Deutscher Wikipediaartikel über Intervalle:
http://de.wikipedia.org/wiki/Intervall_(Musik)
Ix
Last edited by Ixkeys (2008-08-15 00:40:23)
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Thanks Ix, that is wonderfully clear. Much easier to understand than I could ever have understood and explained. ![]()
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thankyou Ix so I was wrong about semi-tones.... intervals refer to notes, as Danny first said (fifth above C is G - so C is included in the counting) still it looks v similar to tampura tuning - Pa Sa Sa - C note on hang is tuned with C and G overtones... C as shruti (Sa) would have G below (Pa) and C (Sa) an octave above on tampura, in normal tuning... only difference is that Hang overtone G is a 12th above shruti C, but tampura uses G below the C, (a 4th below?) yet still the same note, which is the main thing... I'll study the links thanks again Ix
Last edited by diamondlight (2008-08-15 03:42:00)
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The tuning of the tone field of the Hang isn't accidential or by artistically taste. The octave and the 12th are the first and second harmonic overtone of a fundamental.
From Wikipedia (http://en.wikipedia.org/wiki/Overtones):
"Most oscillators, from a guitar string to a bell (or even the hydrogen atom or a periodic variable star) will naturally vibrate at a series of distinct frequencies known as normal modes. The lowest normal mode frequency is known as the fundamental frequency, while the higher frequencies are called overtones. Often, when these oscillators are excited, by, for example, plucking a guitar string, it will oscillate at several of its modal frequencies at the same time. So when a note is played, this gives the sensation of hearing other frequencies (overtones) above the lowest frequency (the fundamental)."
The picture shows the fundamental and the first six harmonic partials on a string (and you can see where the octave and the 12th are):
(Source: http://en.wikipedia.org/wiki/Image:Harm … trings.svg)
Here is a sound example:
The fundamental and the overtones of the G-string of a violon cello. To produce these tones the string is dampened in the points marked in the picture above with a finger laying lightly on the string (string players call this technique a flageolet tone).
In the sound example first the fundamental, the octave (1st overtone) and the 12th (2nd overtone) is played.
Then the fundamental and the first seven harmonic partials (1/2, 1/3, 1/4, 1/5, 1/6, 1/7, 1/8) are played.
Fundamental and overtones on the G-string of a violon cello
Ix
I have moved my two Overtone posts to the Hang Technique section because this is the better place to discuss this topic
Last edited by Ixkeys (2008-08-15 11:52:33)
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So Danny, did your hang go out of tune just from your playing it hard? Or did it get dropped? Sounds much better retuned! Well done Kyle!
Wait, nevermind, I read in the other thread about your dog. BAD dog! Fortunately for me, my dog is afraid of anything inanimate, and wouldn't go near the couch with a hang on it. For a minute there I thought you might be the Hulk or something, and got carried away with your hang in a drunken stooper! I didn't think that hang was THAT sensitive to hard playing. I know it can be knocked out of tune with a hand, but I didn't think it could be knocked THAT far out of tune!
OM
Last edited by omrhythm (2008-08-15 14:04:39)
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Yeah... the dog did the deed, but everything was a little off from two years of a learning curve and two, no maybe a year or so of just plain ignorance of what the Hang really was, and how best to play it. I've definitely tried to ease my touch. I look at my early vids and I'm cringing. But now, armed with knowledge and a fresh re-tune..... I'm really trying to refine my erratic style. It's amazing what I can play just sitting there. But the minute I get the cam and hit REC, I bunch up like there's no tomorrow. And I'm just too stubborn to apply serious percussive study.... well that and a short attention span. ![]()
Hey, it looks like rain outside.... anyone know what's for lunch?
Ummmm, what was I talking about again? ![]()
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Rob wrote:
to go back to the hang in the bumpster, how did the hang go missing in the first place ?
Per Hultquist here......sorry to keep everyone waiting for my responses, but I've just gotten back from the JT didgefest and had a lot of catching up to do.
How it got into a dumpster is unknown and may remain a mystery forever.
The Penta E went missing thusly: We had been busking on the Pearl Street Mall in Boulder, Colorado when a sudden storm drenched us with rain and hail. It wasn't going to stop anytime soon, so we packed up all our didjes, cd's, brain massager, hang, etc. When we got to our car we hastily threw everything inside, but we had set the hang up against a rear wheel and we failed to see it in the downpour and we drove off. The next day we went back and discovered that we had left the hang behind in our haste to leave. I can't begin to describe the horrible feelings we had.....leaving behind a good friend in the rain just made us feel incredibly neglectful. We searched everywhere and posted fliers all over town.
After some weeks went by we were pretty certain it was not likely that we would see it again.....but we never lost hope because of its rarity. We prayed that it wouldn't end up in landfill and that someone would realize that it was worth taking care of. I even allowed myself to get scammed out of $35 by someone who had claimed they had the instrument and would ship it back for the cost of the freight. Having just had serious surgery and still on heavy medications, I was an easy target in spite of Eileen's protestations.
I ordered another penta e, but when it arrived it just didn't sound right and we couldn't bond with it. We sent it back and asked for an exchange for a 2nd gen. hang. Felix and Sabina were kind enough to make the exchange and they sold the Penta E to someone else.
We chose to have Pantheon tune the found penta e because we knew that the hangmakers were extremely busy and might not be able to do anything for a very long time, not to mention that the costs of shipping would be prohibitive. We have faith that Kyle will be sending back an instrument that sounds as good as the day we got it. We meant no insult to Felix & Sabina and frankly, anyone implying such is without the understanding from having walked our path or felt our emotions.
My impressions of the tuned instrument will follow when it lands, once again in its intended home.
Cheers,
Per
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